The Folkier Side of Evan Dando:
Covers of Whitney Houston, Big Star, Metallica and more

 
The kids in my tiny uberliberal prep school loved The Lemonheads before they were cool, and as more than just local heroes — the band had been formed in the same hallowed halls, and the oldest of our peers could still remember their presence among us. The music was perfectly adolescent, too: raw and visceral, full of feedback and fuzzy guitars; it wasn’t much more ragged than our own amateur output, and it came complete with frontman Evan Dando, who presented a grungy kind of everyteen charm, his long hair hanging down to the strings just like our own.

Being so close to the band’s origin made it hard to gage their popularity; to us, they were ours. But looking back with less localized eyes, there’s no question that Lemonheads co-founder Dando was a defining character in the distinctively hardcore, fuzzed-out East Coast branch of the burgeoning alt-rock scene which preceded and then paralleled the grunge movement of the early nineties. For a very short period, when grunge was in vogue and the Lemonheads covers of Suzanne Vega’s Luka and Simon and Garfunkel’s Mrs. Robinson were storming up the college charts, Dando was linked to everyone from Courtney Love to Oasis; he was even named one of People magazine’s 50 most beautiful people.

Dando’s “slacker sex kitten” days would ultimately prove as short-lived as the Boston grunge scene itself. But a decade and a half later he still has wide appeal, at least among the music bloggers. Some of this is surely due to the diversity of his contributions to a seminal period in modern music landscape — Dando reinvented the Lemonheads many times over his relatively short career, using numerous peers from the scene, including members of the Blake Babies and Dinosaur Jr., and his influence is audible in much of the movement. It’s also true that his solo output is relatively consistent, raw and almost alt-country, a sound which has its own kind of appeal among a certain kind of audiophile — it says what it needs to that one of his earliest official post-Lemonheads turns, a duet with Juliana Hatfield, was a Gram Parsons cover.

But it’s hardly a stretch to suggest that Evan Dando’s appeal is as much for his story as it is for his sound. In many ways, the man represents the same kind of greasy, undersung, haunted type as the similarly stripped-down Nick Drake, Elliot Smith, or Townes Van Zandt: the earnest, ragged troubador peering through the wall of depression and pain, looking for authenticity in the usual self-destructive ways. That he fell from such grace, so quickly, is but a part of the mythos.

In the end, Dando, unlike so many of his spiritual singer-songwriter kin, survived his dark crack cocaine days, though he released virtually nothing between 1997 and 2001 save a few guest spots, such as the aforementioned alt-countryrock cover, or his oddly orchestral-pop duet with folk-child Kirsty MacColl. But his comeback would ultimately be an acoustic one, and a good chunk of the solo work he did produced in and after these dark days are true blue singer-songwriter alt-folk, weary acoustic grunge covers of otherwise upbeat pop and rock songs, surprisingly powerful when given voice by a musician haunted by the double demons of hope and doubt. Here’s a representative set, typically ragged and sparse.

Pushing purchase links is a bit of a challenge for today’s entry: many of today’s songs live their life as unlabeled web-sourced outtakes and in-studio bootlegs, and folk fans will probably not find comfort in the output of the Lemonheads themselves. But any discriminating audiophile with diverse taste really should have The Lemonheads’ It’s A Shame About Ray, Dando solo album Baby I’m Bored, and Gram Parsons cover album Return of the Grievous Angel in her collection. Coverbloggers should also keep an eye out for Varshons, a promising-sounding all-covers album scheduled for a Spring 2009 release from Dando’s latest incarnation of The Lemonheads.

Oh, and here’s a Holiday Coverfolk bonus. Tis the season, after all.

Category: Evan Dando, The Folkier Side Of... | Tags:

8 Responses to “The Folkier Side of Evan Dando:
Covers of Whitney Houston, Big Star, Metallica and more

  1. Oarfolkjokeopus

    Thanks for these! The link to “It’s A Shame About Ray” is broken, though, and that’s a shame…

  2. StuartD

    Lovely stuff as always. Presume you know that Lemonheads actually released TWO versions of How Will I Know - an acoustic-y one and, well, an electric-y one… Haven’t actually listened to the one you’ve posted yet, so I don’t know which one you’ve posted…

  3. A Free Man

    I used to be a huge Lemonheads fan back in the day. Thanks for these covers, I’d heard the Parsons cover but no the others. Great stuff.

  4. FiL

    Hey BH,

    Do yo have Evan Dando’s duet with Syd Straw on Richard Thompson’s “For Shame of Doing Wrong”? In not, let me know.

    - FiL

  5. boyhowdy

    FiL: the only cover of “For Shame of Doing Wrong” I have is by popular kidfolk couple Elizabeth Mitchell and Daniel Littleton’s “grownup” band Ida — a great cover, but definitely not Dando. Feel free to send along the Dando/Straw duet –it sound delicious!

  6. sara

    Great post, maybe this will push me to finally do that Juliana Hatfield post I mentioned long ago. Had all the tunes but Silent Night, so thanks for that.

  7. Osvaldo

    Great post! By any chance do you have that song Evan played with Ben Lee and Schwartzman. I´d also like to hear How Will I Know electric version… I couldn´t find them yet.. I don´t mind posting my email here.. osferreiro@gmail.com

  8. Jeffrey Beaumont

    Hey, great list, and as a Dando fan I haven’t heard a few of these, so way rad. Thought i’d add though that also very much enjoyed on the topic of folky Dando covers is his cover of the Misfits’ “Skulls” from 1990’s Five Spanish Dishes EP! Worth checking out, along with his wonderful (but not folky) cover of “Different Drum” and his bizarre and relic-worthy cover of New Kids On the Block’s “Step by Step” (SERIOUSLY).

    -jb


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