Category: Kickstarter Covers


Kickstarter Covers: Mark Erelli’s MIXTAPE
with covers of Don Henley, The Band, and more!

October 7th, 2017 — 9:37am


Mark-Erelli


Regular readers may recall that we hold a special place in our hearts for Boston-based singer-songwriter and sideman extraordinaire Mark Erelli, who recorded his 2001 album The Memorial Hall Recordings in a stately Civil-War-era edifice in our little town, and returned a decade later to grace us with our own little house concert. Indeed, we’ve written so much about Erelli here at Cover Lay Down since our humble beginnings ten years ago – most recently for his double-dip coverage of Dawes, a posthumous homage to Prince, and his previous covers album, a tribute to folk icon Bill Morrissey – it’s hard to know where to begin again.

But MIXTAPE, Mark’s newest project, now in its final days of a crowdsourced campaign over at Kickstarter, offers the perfect coincidence for our love of both Mark Erelli and the celebration of song and culture through coverage. And so, today, we turn once again to one of our very favorite artists, in the hopes that you, too, might lend your patronage to its release.




mixtapeThough his original recordings are themselves both revered and well-covered by his peers and fans, Mark Erelli’s penchant for covers is well-known in the folkworld. His long-standing and always-worth-checking Mp3 of the Month series, released through his website, has long fed our hunger for great live and lo-fi demo recordings, and currently features a wonderful live take on Roy Orbison’s Crying; his work with bluegrass-tinged collaborative Barnstar! gave us raucous, rollicking takes on Dawes, Josh Ritter, and more. His soft and mostly-solo acoustic lullabies album Innocent When You Dream, recorded originally as a gift for family and friends, is tender and sweet, perfect for the mellow hours with or without children. And we celebrated Milltowns, his 2014 tribute to Bill Morrissey, as a warm, deep, surprisingly poignant tribute to a legendary singer-songwriter featuring multi-instrumentalist and performer-and-interpreter extraordinaire Erelli at his studio best and some smashing sideline work from the likes of Peter Mulvey, Rose Cousins, Kris Delmhorst, Jeffrey Foucault, Anais Mitchell, & Rose Polenzani – all artists we’ve featured on these pages before.

MIXTAPE, which will not officially drop until January of 2018, adds something new and exciting to these collected works: a tribute to both that broader, diverse culture that influences us, and to his perennially sold-out Under The Covers concert sessions, hosted at Club Passim in Cambridge by Erelli and a host of famous friends each December for the past 14 years, that have for years offered joyous celebration of the songs and songwriters that have influenced them, their cultural upbringing, and their craft.

Recorded live at Great North Sound Society up in Maine with a small group of friends (and fellow members of Josh Ritter’s band), all indicators suggest that MIXTAPE is a comprehensive fulfillment of the promise of catchy songcraft, tender and gleeful homage, and deft, detailed, delightful musicianship that has come to represent the hallmark of Erelli’s career and coverage. The tracklisting, which includes songs from the Grateful Dead, Phil Collins, Neko Case, Patty Griffin, Arcade Fire, Solomon Burke, and more, is a temptress, indeed; his cover of Don Henley’s Boys of Summer, a haunting, soulful studio track released earlier this week over at Cover Me, and the live video of the recording session for The Band classic Ophelia, which you can hear and see below, lend substance to that promise, and fuel our excitement.




Mark’s own words regarding this high-energy take on Ophelia are especially revealing, and fit neatly with both our celebration of the impending collection and of our ongoing exploration of the ethnographic function of coverage as integral to the communality of the folkways:

When I think of how music should ideally sound —soulful, melodic, restrained virtuosity over a serious groove — I keep circling back to The Band. I’m not sure that anyone, anyone, has done music better than this group on its first two records. On this masterpiece from their later years, I wanted to evoke a bit of all those things I love most about playing music. A lofty goal for sure, but Ray Rizzo’s rimshot-heavy groove and the New Orleans bounce in Sam Kassirer’s piano took me most of the way there. That’s Jake Armerding, 14-year veteran of the annual Under The Covers shows and fellow Barnstar! member, tearing it up on the fiddle.

In short, then: we’re eager to hear MIXTAPE in full, especially because the above-mentioned tracks, and all previous indicators, suggest that the Kickstarter campaign – now in its last six days – is not kidding when it refers to the album as a true opportunity to hear Mark Erelli’s potent, inimitable voice unleashed.

But to truly unleash MIXTAPE, Erelli needs our support.

So click on through to the Mark Erelli Made You A MIXTAPE Kickstarter to lend your patronage now, before the clock runs out. Snag a patronage gift, from signed and downloadable copies of the album in your mailbox two whole months before its official release to bonus covertracks, out of print records, bootlegs, concert tickets, cover song recordings of your choice, and more.

And then, while you wait for your album and patronage incentives to arrive – since we’ve shared so many of Mark’s own covers before – click back through a foursome of our previous features on Erelli’s coverage below, the better to anticipate the gift that MIXTAPE represents.


Screen Shot 2017-10-07 at 9.12.58 AMBut first, a total bonus: We are thrilled to announce that Mark Erelli will be helping us celebrate Cover Lay Down’s 10th anniversary with a pre-album-release show at our very own Unity House Concerts in Springfield, MA, on December 9, just a week before his 14th annual Passim show with bassman Zachariah Hickman and fiddle player Jake Amerding. We’ll be announcing ticket sales in the next few weeks on our Facebook page, so stay tuned; Mark has promised to use the set as an opportunity to test out some of his newest covers for this year’s Passim sets, so the coverage should be thick on the ground.

As an extra incentive to our readers and fans, all who contribute to Mark Erelli’s MIXTAPE Kickstarter at the $25 level or above will receive an exclusive invitation to an appetizers-and-drinks reception before the show, and a soundboard recording of three carefully-chosen covers from that show, with our grateful thanks for your support of both the artist and his art.



Previously on Cover Lay Down:


Looking for more? Today’s bonus tracks feature a sextet of contemporaries taking on the Mark Erelli songbook.



Always ad-free and artist-friendly, Cover Lay Down celebrates ten years on the web this year thanks to the ongoing support of readers like you.

Comment » | House Concerts, Kickstarter Covers, Mark Erelli

Kickstarter Covers: Tomorrow You’re Going
(help Richard Shindell and Lucy Kaplansky make a covers album!)

July 18th, 2014 — 11:42pm





We generally eschew artist ranking here at Cover Lay Down, but you never forget your first – and in this case, it speaks volumes that our very first feature back in September of 2007 introduced Richard Shindell’s incredible, quintessential covers album South of Delia, citing it as an album so powerful and vast in scope and sequence, it prompted us to start the blog in the first place. Just a few weeks later, we did a full feature on Lucy Kaplansky, too, touting that inimitable voice, and celebrating the woman who had so captured our hearts at the Clearwater festival, we had no choice but to snag her whole catalog to date at the merch tent, and subsequently steep ourselves in it through the long drive back home to Massachusetts, and for incessant months afterwards.

The evidence is clear from our origin, then: though we cherish the new and the post-millennial here at Cover Lay Down, their very presence at our humble beginnings confirm Kaplansky and Shindell’s places atop our lifetime list of favorite singer-songwriters. News regarding new projects, releases, or tours from either of these two sensitive, literate, and sublime musicians is ever an opportunity for celebration, and – as long time readers already know – we’ve been pleased to revisit them several times since 2007, in acknowledgement of each new release and collaboration.

But although Lucy and Richard in solo mode are always a wonderment, any opportunity to hear them work together is a special treat. And happily, here, too, one need not look far to find fodder for delight.

Lucy Kaplansky and Richard Shindell’s work together dates back to the beginning of their careers, in the early eighties, when both were emerging artists in the Greenwich Village Fast Folk coffeehouse scene, and Kaplansky was the go-to harmony singer for an entire movement. Since then, though Shindell now makes his home south of the Equator, and Lucy continues to live in her native New York City, it is quite common to find them sharing stage and studio – and thanks to their long-time friendship and a mature sense of innate, entwined performance, the combination is always a delight. Those inimitable harmonies can be found on any number of “solo” recordings for the pair; in fact, the majority of albums from each artist feature the other on background vocals. Add in other collaborations, such as their performance together at a Harmony workshop at the 2007 Falcon Ridge Folk Festival, and their great work with Dar Williams on the late nineties one-shot trio covers project Cry Cry Cry, and it’s no wonder their entwined voices haunt our playlists.

Which is all to introduce the wonderful news that yesterday, old friends and long-time collaborators Lucy Kaplansky and Richard Shindell kicked off a campaign to fund an entire album of new covers entitled Tomorrow You’re Going. And in response, we’ve collected a full set of their previous collaborations, culled from studio albums and live performances, that proves just why we believe their newest project is destined to be something very, very special.


kaplansky_shindell_1Clearly, others relish the thought of Kaplansky and Shindell coming together for a full album, too: just 24 hours after the campaign opened, they’ve already reached their initial fundraising goal. But don’t let the project’s rapid climb to sustainability stop you from supporting its fulfillment. “Stretch goals” for the project include broader press promotion and production, and an expansion of the subsequent tour that makes it that much more likely that you, too, could see the pair together in your own town or city. The give-aways here are darling, and typical of Richard and Kaplansky; read together, they comprise a vision of a tour together in which in every town, they’ll sing for, guitar shop with, and dine with donors and friends.

Most importantly, the success of this project really does depend on us: Shindell’s framing of crowdsourcing’s direct fan appeal as a quid pro quo replacement for music sales lost to the digital age is both an apt and eloquently stated argument for microfinancing models, and a signifier of his own clear and persistent vision of how to make music viable for artists and fans alike in an age far-flung from their Fast Folk magazine origins.

By definition, the covers on Tomorrow You’re Going are not yet available, at least in studio-recorded form. But, as noted above, there’s at least another album’s worth of recordings featuring the two out there already. Today, we collect the lot, reshuffling our favorite covers from Shindell and Kaplansky to focus on 16 tracks that feature the voices of both together – some nominally released under one artist’s name, and others, such as a couple of dual-marquee pairings recorded live at various festival stages, and a few tracks from Cry Cry Cry, more officially from the pair in partnership – and the end result is a beautiful playlist, and a beautiful teaser for their next great collaboration to boot. Listen, enjoy, and then head over to Kickstarter to pledge your support and pick your reward for Tomorrow You’re Going.


    Lucy Kaplansky and Richard Shindell cover… [zip!]


Comment » | (Re)Covered, Kickstarter Covers, Lucy Kaplansky, Richard Shindell

Kickstarter Covers, Vol. I: Milltowns
(Mark Erelli pays adept tribute to Bill Morrissey)

June 22nd, 2014 — 7:00pm

School’s out, the fireflies have returned, and the Oxycodone has finally faded from my system after a much-needed knee surgery, leaving us free and clear to begin filling pages again after months of apology. We’ll be back more regularly over the summer with news and new projects, tributes and songbook sets galore; today we dip our toes in the water with a clock-ticking palate-cleanser from one of our very favorite artists.





Happy 40th birthday weekend and kudos to well-travelled Boston-based folk musician and sideman extraordinaire Mark Erelli, who spent the last year recording Milltowns: A Tribute to Bill Morrissey, a warm, deep, surprisingly poignant tribute to a legendary singer-songwriter featuring multi-instrumentalist Erelli at his studio best and some smashing sideline work from the likes of Peter Mulvey, Rose Cousins, Kris Delmhorst, Jeffrey Foucault, Anais Mitchell, & Rose Polenzani. After hearing Mark cover Bill several times over the last few years through bootlegs, live performances, and a single cover on The Memorial Hall Sessions album way back in 2002, we’re pleased but not so very surprised to declare the as-yet-unreleased Milltowns an unqualified success “born of love, respect and gratitude”, and an eloquent tribute to one of Erelli’s heroes and mentors – and proud, too, to urge support for the project via his Kickstarter page in the last few days of the campaign.

Regular readers may recall that we hold a special place in our hearts for Erelli, who recorded The Memorial Hall Sessions in our little town, and returned a decade later to grace us with our own little house concert; we’ve celebrated him several times on our pages (most recently for his double-dip coverage of Dawes), and have constantly been impressed by his work as a songwriter and performer. But this project is an especially potent venue for our fandom. The connection between Erelli and Morrissey is strong: Mark speaks eloquently of Morrissey’s mentorship on the road; both are known for their intimate portrayals of smalltown life in New England, and both have unusually strong connections to our favorite folk festival – Erelli as a one-time Falcon Ridge Folk Fest volunteer and main stage performer; Morrissey as a headline act from the very first year. And Morrissey is a long-time favorite, too – a Fast Folk alum who was a mainstay on the coffeehouse circuit until his death in 2011, with a catalog that is strong and worthy of the project.

The Milltown Kickstarter campaign hit its target yesterday, but extra funds are always needed to promote and distribute the album effectively – word of mouth only goes so far. So check out the project video above and a pair of older samples of Mark covering Bill below, head back in time to our 2011 feature on Mark Erelli, and then hit up the Milltowns project page to give what you can to support the record’s release, and receive an early digital download, plus the usual set of goodies, from signed records and back-catalog gems to copies of Bill Morrissey’s writings.


    TWO more Bill Morrissey covers from Mark Erelli’s mp3 of the Month series!



Comment » | (Re)Covered, Bill Morrissey, Kickstarter Covers, Mark Erelli, Tribute Albums, Tributes and Cover Compilations

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