Cover Lay Down

We’re fattening up my daughter, by which I mean that a year into her diagnosis of Crohn’s Disease she has trained herself to eat so little that she has grown dangerously thin and bony. The doctor has prescribed a 2500 calorie diet. And so the closet gets filled with sticky and salt, donuts and cookies in small packages, and we spend the day asking if she’s eaten, and can she eat again.

Last year, before the wee one presented with her sister’s disease, I watched from the window as she tried in vain to apply her smaller form to the sledding hill, and trudged back, forlorn and angry, alone in the midst of a familial refocusing not yet hers to claim. But lifelong illnesses wax and wane, and today is a good day, brought on by too much snow and a rare day at home together. The roads are closed, and the sleds inflated; the girls huddle by their electric fireplace in the everything room, watching TV and preparing their bodies for a foray into the cold together. The weight lifts, and we are at peace with the world.


The Band is hard to collect through coverage; their chosen name is essentially un-googleable, confounding the collector’s usual search strategies. But the ragtag group of Canadian roots rockers that once formed the backbone of Dylan’s fuller sound is worth pursuit: their songbook still sings loud and clear through radioplay; their influence on the modern soundscape is clearly evident in the vast collection of coverage we have featured on these pages, all the way back to our very first post, where we celebrated Richard Shindell’s 2007 cover album with his version of Acadian Driftwood.

While often a delight, then, it’s no surprise to find The Band still covered. Their canon at its best is both electric with energy and highly narrative, its downtrodden everymen and eminently singable verse-chorus-verse structure ripe for interpretation. And although deep cuts covered bring a special and unique opportunity to reconsider their collection, there’s nothing so spiritually uplifting, in my mind, as The Weight.

Although spectacular on its own merits, and recognizably spread in short form in the film Easy Rider and concert footage from Woodstock, like many of our Single Song feature subjects, The Weight settled into the American Songbook after some particularly distinctive cross-genre coverage, including early versions by Aretha Franklin, Jackie DelShannon, and Diana Ross and The Supremes, which blanketed the genre spectrum with the song between 1968 and 1969. But the song, described by PBS as a masterpiece of Biblical allusions, enigmatic lines and iconic characters, is clearly one of The Band’s favorite songs to perform, as well. It appears on three separate live albums released in the seventies, and twice in The Band’s seminal concert film The Last Waltz – once in live performance, and once as a coda, in the studio with The Staple Singers.

Today, like greatest hits I Shall Be Released and The Night They Drove Old Dixie Down, The Weight remains a common enough cover in live performance, especially as a sing-along encore; several of our favorites, including a superstar-laden tribute from the 2014 benefit concert Love For Levon: A Benefit to Save the Barn, Gillian Welch and Old Crow Medicine Show in fine old-timey form, new weird American band The Hollows with hoot and holler, and a beautifully sung version from Dala with Oh Susanna and the Good Lovelies, sport a similar dynamic, with multi-artist cohorts taking the stage for a verse apiece, and joyful voices raised in harmony in the chorus, as they celebrate sets well played.

But in the studio, the song has seen more transformation. Rickie Lee Jones, on her recent deconstruction project The Devil You Know, takes the more extreme path, stripping the song down to a crooning, crying lament. Other sparse acoustic covers delight, as well: YouTubers Connor Pledger and Grace Albritton slide around the melody intimately, for example, while Robin Tesch sticks with solo guitar and a husky voice backed by light harmonies for a comforting, comfortable living room cover that pays apt homage.

The rest lie between, finding their own salvation and solace in the ultimately uplifting lines of first-person narration. Cassandra Wilson croons a soulful, lilting blues; German acoustic soulband Tok Tok Tok jazz it up with sax and a trio sound. Joan Osborne keeps the beat but adds full horn and organ production for funky minor key fare, while Ashes For Trees trend towards sweetness with mando and guitar, and singer-songwriter’s singer-songwriter Don Lange breaks the tune down to a troubadour’s walking blues; both Brian Fallon of The Gaslight Anthem and the touring trio of Tony Lucca, Jay Nash and Matt Duke drop the drums and bombast, too, keeping it wholly acoustic in radio performance. Little Feat and guitar wizard Jeff Healy keep it real as we’d expect them to. Bluegrass legend Marty Stuart even brings the Staple Singers back in, for a countrified yet faithful performance that shows just how well the song stretches out into other genres, finding its place in the various forms and fields that comprise the American roots landscape.

Enjoy the song, in every incarnation. And may your weight be lifted, too, wherever you may be.

The Band’s The Weight, Covered In Folk [zip!]

• Dala ft. Oh Susannah and The Good Lovelies: The Weight [2010]
• Rickie Lee Jones: The Weight [2012]
• Cassandra Wilson: The Weight[2002]
• The Gaslight Anthem: The Weight [2008]
• Joan Osborne: The Weight [2002]
• Don Lange: The Weight [2011]
• Marty Stuart w/ The Staple Singers: The Weight [1994]
• Robin Tesch: The Weight [2007]
• Gillian Welch and Old Crow Medicine Show: The Weight [2007]
• Deana Carter: The Weight [2007]
• Tony Lucca, Jay Nash, Matt Duke: The Weight [2009]
• Jeff Healy: The Weight [2008]
• Tok Tok Tok: The Weight [2007]
• Ashes for Trees: The Weight [2011]
• Little Feat ft. Bela Fleck: The Weight [2008]
• The Hollows: The Weight [2013]
• Connor Pledger & Grace Albritton: The Weight [2014]

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